Recensioni e Schede      

Finale Multicanale ROTEL RB 976 MKII

 

Di cosa si tratta

Finale multicanale

L'importanza di iscrivervi alla newsletter

Produttore

Rotel

Caratteristiche

6 canali , ma con possibilità di selezionare anche 3 canali da 150 watt

 Costo

772/00 euro

 

Caratteristiche:

 

 

Scheda Fotografica:

 

 

Vediamo dietro:

 

 

 

 

 

Il suo pre:

 

 

Dal Web:

 

Six-channel feast for the aspiring foodie

Slim and affordable, the Rotel RB976 promises superior performance for a price not far beyond that of a budget integrated amp

Rotel has a reputation for delivering value for money products and this latest six-channel x 60W power amplifier continues that fine tradition. It's an amp that's footprint-friendly. At 440(w) x 121(h) x 400(d)mm the case matches the width and depth of many popular preamps/preceivers. Place one beneath your preamp and you have a separates system that is no bigger than an integrated amplifier. (One point on such stacking: Because this amplifier has no internal fans and relies purely on free-flow ventilation of the internal heatsinks, Rotel does not recommend you stack other equipment on top.)

Up front we see a main power button plus input level controls for each pair of amplifiers. There are also bridged mono and power indicators to show the mode of operation.

Around the back are three pairs of phono terminals (input) and 4mm banana sockets (output). You also have three groups of switches that determine how the amplification is configured: choose 6 x channel operation or linked or bridged output.

The linked mode allows the stereo input for one amplifier pair to be shared with either (or both) of the other pairs. For example, in this mode, the rear feed from a Pro-Logic or Dolby Digital preamp could drive an array of six speakers – three on each wall – of a very large home cinema. The bridged mode allows a pair of amplifiers to become a high-power (150W quoted) mono amp. It requires different wiring. Instead of connecting your speaker to the regular plus and minus terminals, you 'bridge' (hence the term) across the two positive outputs of a stereo pair. The link switch also needs to be engaged. In this mode, the right-hand input terminal is unused (the input being fed to the left terminal).

Given the low cost I couldn't resist a peek inside. The core of this amplifier is occupied by a single torroidial transformer that supplies all channels. The construction quality is fair.

PERFORMANCE

If amplifiers were restaurants, this Rotel would be a fast food joint – inexpensive but able to fill your belly when it rumbles. But like other cut-price multi-channel power amps, it's not at its best in pure stereo mode. Here, I found the sound quality bland. My test CDs (Beethoven's 5th – Karajan – and Grieg Piano Concerto – Katin) plodded along without real depth or warmth. It makes a sound, yet lacks soul.

Pro-Logic programmes fared slightly better. The skull crush in T2 was bright and brittle – but loud. Vocals from Linda Hamilton were not the warm, lush, forward tones heard on the very best power amps. They sounded drier, more clinical.

As always, amplifiers are only as good as the source fed to the input. On Dolby Digital laser discs, this amp sounded at its best. There was more sparkle on highs and the low frequency 'slam' was well handled. Surprisingly, 60W into the Jamo sub came up trumps.

I was amazed that the Rotel RB976 did not compromise front-to-back separation – even with six channels occupying the same cluttered circuit board. On Spy Hard the three seconds' worth of helicopter noise (on the rear channels only) was delivered with the same discrete separation as the most expensive amplifiers tested.

In summary, not a sonic revelation yet excellent value for money. Just like your favourite burger bar, this amp serves sonic sustenance for those starved of separates – and £375 is appetising price.

Bob Tomalski, Home Cinema Choice, January 1998

AUDIO ANALYSIS
The manufacturer's spec of 60W per channel is only attainable if you can accept high levels of harmonic distortion. A spectrum analysis at the clipping point shows THD beyond 3% – not very nice. In the real world this amp has a Fidelity Firewall of 48W. Otherwise a clean bill of health with a level frequency response.
Manufacturers rated output : 60W/channel
HCC measured output at onset of clipping : 64W at 2.5% THD
HCC Fidelity Firewall : 48W at 0.01% THD
Frequency response : 25Hz-20KHz:+/- 0.1dB

 

FOCUS
The Rotel RB976 is super value for money. Don’t de put off by the paper specification and lack of a THX badge. For the price, it’s impressive, and if coupled to a Dolby Digital processor, could provide the heart of a very fine system

Sound

Looks

Features

Overall

Model : Rotel RB976
Price : £375
Features : 6 x 60W output; front panel input levels; bridgeable power amps to give 3 x 150W mono; link facility to combine single input with multiple output; bridged-mode panel indicators
Dimensions : 440(w) x 121(h) x 400(d)mm

 

 

Home  Hit Counter